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Our video series on variable fonts

We’ve learned about how variables can push the reading experience, improve accessibility and readability, and redefine brands. These four videos from the online conference distill the promise of variable fonts.

UNDERWARE

How to Get There

The Underware team explores the expanding universe of variable fonts. In doing so, they uncover that VFs are not the destination—they’re the vehicle. The question is not ‘how to get there?’, but ‘how to get where?’

Watch the video.

DJR

Designing Fit

DJR shares how his typeface, Fit, which addressed the impulse to stretch and squish letters to fill space, uses variable tech to make to make the copy . . . fit.

Watch the video.

PLAU

Variable Brand Voice

In Rodrigo Saiani’s survey of identity design, brand cultivation, and type design, he reveals not only that the fields are increasingly linked but also that they’re evolving towards a variable future.

SPACE TYPE

Designing with VFs

Lynne Yun and Kevin Yeh of Space Type demonstrate how incorporating real-world inputs and animation can elevate your design projects. (And how variable fonts make that easier than ever.)

Watch the video.


UNDERWARE

Akiem Helmling

One of the founders of Underware, Akiem is a visionary self-made man and type conceptualist with love for espresso machines and exclusive gsub-programming. After studying graphic design at the Fachhochschule Mannheim, Akiem completed his type design postgraduate studies in 1999 at KABK, the Hague.

UNDERWARE

Bas Jacobs

One of the founders of Underware, Bas devotes his days to designing type, optical illusions, language research, dialects, ambigrams, and answering fan mail. He completed his type design postgraduate studies 1998-1999 at KABK, the Hague. Then studied visual communication at the Art Academy ABK in Maastricht. He was born in a village of impressionist painters, Wanssum, the Netherlands, in 1976. 

UNDERWARE

Sami Kortemäki

One of the founders of Underware, Sami was born in Kerava, Finland in 1975. Over the years 1995–2001 he studied graphic design at the Lahti Polytechnic/Institute of Design. During 1998–1999 he also studied at the KABK in Den Haag. Lives with his wife Ulrika and their son in Helsinki, Finland.

DJR

David Jonathan Ross

David Jonathan Ross draws letters of all shapes and sizes for custom and retail typeface designs. A native of Los Angeles, he now makes fonts in the woods of Western Massachusetts. He began drawing typefaces at Hampshire College and joined Font Bureau in 2007 where he honed his bézier-wrangling skills. Now he publishes his typeface designs at his own foundry, DJR, as well as working on projects with Type Network and developing unusual display faces for his Font of the Month Club.

PLAU

Rodrigo Saiani

Rodrigo Saiani of Plau is trying to make type as popular in the world as music – starting with Brazil. He gets closer everyday by making typefaces for people and the brands they love; teaching about type at Miami Ad School; creating workshops and talking about type with pretty much anyone. His work has won awards from Type Director’s Club, Tipos Latinos, Brand New Awards, ADG Brazil - Brazilian Design Biennial Best of Show (Guanabara Sans, Primot, Tenez).

SPACE TYPE

Lynne Yun

Lynne Yun is a NYC-based type designer and educator who specializes in typography, hand lettering, and calligraphy. She is a partner at Space Type, a Brooklyn based type studio that operates at the intersection of type, design, and technology. Lynne was previously a full time type designer at Monotype, and served on the board of AIGA NY and Society of Scribes. Prior to working at Monotype, Lynne held positions as a graphic designer at Apple Inc., Publicis, and Deutsch.

SPACE TYPE

Rodrigo Saiani

Kevin Yeh is a partner at Space Type. Kevin has a background in computer vision, graphics and robotic learning, and holds an MS in computer science and film studies from the University of Texas at Austin. He also works at Nava PBC, where he partners with government agencies to build simple and reliable public digital services.