Type Network

Filters

News /

GarageFonts hauls Freight to Type Network

An early champion and patron of independent type design, Ralph Smith steered this boundary-pushing foundry from a small grunge shop to a home for striking text and display families by an international crew of emerging designers.

Canto starts a new chapter

Six years after its original release, Richard Lipton has significantly augmented this lyrical, inscriptional family, greatly furthering its expressive range.

Join us in Montréal for ATypI!

Here we are, on the road again, diving into another all-consuming type event, this time in Canada’s enchanting city of saints and sinners.

See you at TypeCon 2017!

We’re headed to a magical place full of people who love type as much as we do.

Gotta go draw now: an interview with Richard Lipton

Amy Papaelias talks with Richard Lipton about drawing, focusing, and plying his craft from a studio near the ocean.

Make Austin weirder—send Yves Peters packin’ to SXSW 2018

Texas is known for its big hair, but follicular challenges won’t stop our Bald Condensed from taking the Lone Star State by storm.

ScreenFonts: August 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: August 2017

Although it’s sunny and summery outside my studio in Belgium, this episode of ScreenFonts evokes the atmosphere of colder, darker climes. Let’s start with It Comes at Night and move on to 11:55, Kill Switch, The Beguiled, Cars 3, The…

Remembering Margo Chase, letter alchemist

On July 22, the design community lost one of its brightest stars to a tragic aviation accident. An icon of graphic design, Margo Chase created extraordinary, evocative letterforms that deeply marked popular culture as well as hearts and minds.

Retype brings Krul, Winco, and Kade to Type Network

From bar windows to book covers to boats, the wildly diverse culture of the Netherlands informs a trio of types from this Hague-based foundry.

Coquette and Proxima Nova broaden their horizons

Welcome to the Mark Simonson Variety Show, where typefaces grow lighter and bolder and pick up new language skills!

The Wall Street Journal’s design chief talks type and trustworthiness after launching updated app

Che Douglas, the Journal’s Global Head of Design, oversaw a major overhaul of its digital product, which, like the print edition, prominently features Font Bureau’s Escrow.