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A long line of custom classics

Roger Black Collection spotlights typefaces that began life as custom commissions by the celebrated art director and typographic consultant. On the occasion of the collection’s launch, Yves Peters had a freewheeling conversation with Black, who cofounded Font Bureau

ScreenFonts: August 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: August 2018

The temperature rises with posters for The King, Beach House, The First Purge, and Scotty and the Secret History of Hollywood. Then it reaches scorching highs with Hot Summer Nights; gradually drops with Hva vil folk si (What Will People…

ScreenFonts: July 2018

Now that I’m on my way to becoming a YouTube celebrity (not), I wonder if more people will tune in to read my movie-poster reviews for Solo: A Star Wars Story, The Cleanse, Jia nian hua (Angels Wear White),…

ScreenFonts: May 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: May 2018

This episode put me in a contemplative, even slightly melancholy mood, with posters for Disobedience, The Endless, Akher ayam el madina (In the Last Days of the City), Dayu haitang (Big Fish & Begonia), Good Luck, Blumhouse’s Truth or Dare,…

ScreenFonts: April 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: April 2018

This episode features posters for Gemini, Hondros, Pacific Rim: Uprising, The Death of Stalin, Red Sparrow, Flower, Thoroughbreds, and Unsane, with some interesting interactions between the characters (the type) and the characters (the people.)

ScreenFonts: March 2018

A supernatural beginning and a downright weird ending: this episode looks at posters for Black Hollow Cage, Nostalgia, The Female Brain, Driving While Black, Game Night, Mute, Rehepapp (November), and Are We Not Cats.

ScreenFonts: January 2018

Defying legibility conventions. Shattering images. Subverting any sense of scale. Turning the world upside down. This episode looks at posters for The New Radical, The Shape of Water, Foxtrot, Kaleidoscope, Star Wars: The Last Jedi, Downsizing, The Phantom Thread, and…

Titling Gothic FB hypnotizes viewers of Errol Morris’ “Wormwood”

Designer Jeremy Landman takes Font Bureau’s seven-width wonder to mind-bending heights in a new Netflix docudrama.

ScreenFonts: November 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.