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ScreenFonts: April 2018

This episode features posters for Gemini, Hondros, Pacific Rim: Uprising, The Death of Stalin, Red Sparrow, Flower, Thoroughbreds, and Unsane, with some interesting interactions between the characters (the type) and the characters (the people.)

The Gospel of Eureka and Counterpart win Film Design Awards at South by Southwest

From the Lone Star State, Yves Peters reports on the winners of the awards for Excellence in Poster Design and Excellence in Title Design at the 2018 SXSW Film Festival.

ScreenFonts: December 2017

This episode of ScreenFonts unexpectedly turned out to resemble a blind taste test. I look at posters for My Friend Dahmer, Roman J. Israel, Esq., Mugen no jûnin (Blade of the Immortal), Along for the Ride, Thelma, Most Beautiful Island,…

The Festival of Type returns

In 2016, Type Network celebrated its first holiday season as a team with a cheery Festival of Type. We’re continuing the tradition this year, and we want you to join in the fun!

ScreenFonts: June 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: June 2017

Poster galleries galore: the June episode of ScreenFonts looks at posters for LA 92, Restless Creature: Wendy Whelan, Sleight, Burden, Violet, Hounds of Love, A Dark Song, The Void, Free Fire, and Berlin Syndrome.

36 Days of Type

A compelling online project inspired Type Network to dig through its extensive catalogue and look at letterforms from different angles.

ScreenFonts: January 2017

The premier of ScreenFonts at Type Network features (full-size!) posters for The Girl on the Train, The Birth of a Nation, The Accountant, The Lennon Report, Christine, Ah-ga-ssi (The Handmaiden), King Cobra, Boo! A Madea Halloween, and The Unspoken—and comes…

Type Network’s First Festival of Type

We celebrated the holidays with a festive gallery of banners showcasing all of our foundry partners.

New Hero unleashed: Newlyn’s geometric sans packs a powerful punch

Initially conceived as part of a major American bank’s branding refresh, New Hero leaps into service as a dynamic family in 20 wide-ranging styles.