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A long line of custom classics

Roger Black Collection spotlights typefaces that began life as custom commissions by the celebrated art director and typographic consultant. On the occasion of the collection’s launch, Yves Peters had a freewheeling conversation with Black, who cofounded Font Bureau

ScreenFonts: April 2018

This episode features posters for Gemini, Hondros, Pacific Rim: Uprising, The Death of Stalin, Red Sparrow, Flower, Thoroughbreds, and Unsane, with some interesting interactions between the characters (the type) and the characters (the people.)

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.

ScreenFonts: January 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Inside the fonts: optical sizes

From mouse type to elephantine heads, one size does not necessarily fit all. Whether you go big or go little, type crafted for specific sizes will give your typography the royal treatment.

ScreenFonts: January 2017

The premier of ScreenFonts at Type Network features (full-size!) posters for The Girl on the Train, The Birth of a Nation, The Accountant, The Lennon Report, Christine, Ah-ga-ssi (The Handmaiden), King Cobra, Boo! A Madea Halloween, and The Unspoken—and comes…