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ScreenFonts: April 2018

This episode features posters for Gemini, Hondros, Pacific Rim: Uprising, The Death of Stalin, Red Sparrow, Flower, Thoroughbreds, and Unsane, with some interesting interactions between the characters (the type) and the characters (the people.)

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.

ScreenFonts: January 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: December 2017

This episode of ScreenFonts unexpectedly turned out to resemble a blind taste test. I look at posters for My Friend Dahmer, Roman J. Israel, Esq., Mugen no jûnin (Blade of the Immortal), Along for the Ride, Thelma, Most Beautiful Island,…

ScreenFonts: November 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Inside the fonts: optical sizes

From mouse type to elephantine heads, one size does not necessarily fit all. Whether you go big or go little, type crafted for specific sizes will give your typography the royal treatment.

ScreenFonts: May 2017

A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,

ScreenFonts: March 2017

From spare simplicity to sepia-infused nostalgia: the March episode of ScreenFonts looks at posters for The Comedian, On The Rocks, A United Kingdom, XX, From Nowhere, Kiki, Table 19, and Logan.