Prepare for liftoff: expanded language support and an in-depth reexploration of the design take Newlyn’s New Rubrik families to the next level.
Conference season is still going strong around the world. Over the next month, you’ll find Type Network waxing enthusiastic about type in North and Central America, Europe, and Southeast Asia.
The branding agency collaborated with Font Bureau on custom typefaces to infuse the science-fiction-and-fantasy channel with a typographic voice as striking as its programming.
Belgian branding agency Today chose Forma DJR as the new face of national broadcast network VRT. Then they commissioned a new Black weight from David Jonathan Ross to amplify the family’s voice.
Here we are, on the road again, diving into another all-consuming type event, this time in Canada’s enchanting city of saints and sinners.
An early champion and patron of independent type design, Ralph Smith steered this boundary-pushing foundry from a small grunge shop to a home for striking text and display families by an international crew of emerging designers.
Six years after its original release, Richard Lipton has significantly augmented this lyrical, inscriptional family, greatly furthering its expressive range.
We’re headed to a magical place full of people who love type as much as we do.
Amy Papaelias talks with Richard Lipton about drawing, focusing, and plying his craft from a studio near the ocean.
Texas is known for its big hair, but follicular challenges won’t stop our Bald Condensed from taking the Lone Star State by storm.
Although it’s sunny and summery outside my studio in Belgium, this episode of ScreenFonts evokes the atmosphere of colder, darker climes. Let’s start with It Comes at Night and move on to 11:55, Kill Switch, The Beguiled, Cars 3, The…