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Retype brings Krul, Winco, and Kade to Type Network

From bar windows to book covers to boats, the wildly diverse culture of the Netherlands informs a trio of types from this Hague-based foundry.

Coquette and Proxima Nova broaden their horizons

Welcome to the Mark Simonson Variety Show, where typefaces grow lighter and bolder and pick up new language skills!

The Wall Street Journal’s design chief talks type and trustworthiness after launching updated app

Che Douglas, the Journal’s Global Head of Design, oversaw a major overhaul of its digital product, which, like the print edition, prominently features Font Bureau’s Escrow.

Inside the fonts: sizing up Zeitung

Underware’s latest release comes in two variants—Zeitung Pro and Zeitung Micro Pro. What’s the difference?

ScreenFonts: June 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Underware comes to Type Network

A terrific trio brings a collection of exquisite, lively typefaces to our burgeoning alliance.

ScreenFonts: June 2017

Poster galleries galore: the June episode of ScreenFonts looks at posters for LA 92, Restless Creature: Wendy Whelan, Sleight, Burden, Violet, Hounds of Love, A Dark Song, The Void, Free Fire, and Berlin Syndrome.

Input travels to the past

The time-travel drama Travelers prominently features David Jonathan Ross’ Input Sans.

A new era in bitmap type

TYPETR delivers Bitcount, putting pixels to work in a programmatic type system designed for both serious and playful exploration.

One year of Type Network

Time really does fly when you’re having fun.

ScreenFonts: May 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

Retype joins Type Network

Our new foundry partner launches with a stunning set of designs, including an exclusive new release, Guyot Headline, the first of Espinoza’s types inspired by the sixteenth-century French punchcutter.