News /
ScreenFonts: May 2017
A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,…
TYPO Labs: variable fonts and beyond
Yes, TYPO Labs 2017 tackled more than just variable fonts—but the new technology maintained a constant presence in the background.
Monokrom blows in from the North
The cool Norwegian foundry brings its chill fonts to Type Network.
Get friendly with five feisty faces from Type-Ø-Tones
Josema Urós and Laura Meseguer warm the Type Network catalog with a simpatico quintet, including Harri, designed by Juan Luis Blanco, a winsome homage to the indigenous letterforms of the Basque Country.
TYPO Labs comes into its own
The sophomore edition of TYPO Labs was even bigger and better than the first—and jam-packed with enough stimulating content to make your head spin.
If you need me, I’ll be out in the garage
Occupant Press celebrates the release of Allium with a new print.
Inside the fonts: grading Bennet
With Richard Lipton’s latest release, Bennet, you can now add text grades to your typographic arsenal. But what exactly are grades? Why use them?
TYPO Labs redux
TYPO Labs, the type and technology conference, will hold its second edition in Berlin next week. Marina Chaccur is one of the facilitators for the event, and David Berlow will take part in a panel on the business of OpenType…
Bring balance to your text with New Zen
New Zen, Newlyn’s fine-tuned new release, proves that rounded sans serifs aren’t just for kids.
36 Days of Type
A compelling online project inspired Type Network to dig through its extensive catalogue and look at letterforms from different angles.
Greg Thompson looks back—and ahead
After showing an early talent for crafting letterforms, Greg Thompson took a detour through music and industrial design. In an interview with Amy Papaelias, he retraces his journey back to type.
ScreenFonts: March 2017 | The Leftovers
These posters didn’t make the cut, but are still noteworthy for their design and/or typography.