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ScreenFonts: June 2017
Poster galleries galore: the June episode of ScreenFonts looks at posters for LA 92, Restless Creature: Wendy Whelan, Sleight, Burden, Violet, Hounds of Love, A Dark Song, The Void, Free Fire, and Berlin Syndrome.
Input travels to the past
The time-travel drama Travelers prominently features David Jonathan Ross’ Input Sans.
A new era in bitmap type
TYPETR delivers Bitcount, putting pixels to work in a programmatic type system designed for both serious and playful exploration.
One year of Type Network
Time really does fly when you’re having fun.
ScreenFonts: May 2017 | The Leftovers
These posters didn’t make the cut, but are still noteworthy for their design and/or typography.
Retype joins Type Network
Our new foundry partner launches with a stunning set of designs, including an exclusive new release, Guyot Headline, the first of Espinoza’s types inspired by the sixteenth-century French punchcutter.
An interview with Victoria Rushton
Victoria Rushton spoke about the process of designing her new script face, Gautreaux, at Typographics last year. Afterward, in an email exchange with Stephen Coles, she opened up about a variety of topics: public speaking, education,…
Connecting with Gautreaux
Introduced by Victoria Rushton at Typographics 2016, Gautreaux is a new script typeface that achieves complexity through masterful simplicity.
The name Gautreaux
With her new script face Gautreaux, Victoria Rushton brings the initial ‘G’ out of hiding.
ScreenFonts: May 2017
A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,…
TYPO Labs: variable fonts and beyond
Yes, TYPO Labs 2017 tackled more than just variable fonts—but the new technology maintained a constant presence in the background.
Monokrom blows in from the North
The cool Norwegian foundry brings its chill fonts to Type Network.