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Escrow goes big and small

Cyrus Highsmith designed 44 styles in this new Scotch series. Escrow sets the tone of the front page of The Wall Street Journal, envy of the newspaper industry. “Escrow is the spectacular element holding the whole thing together” Design Director…

Roster

Matthew Carter’s Roster takes the visual tension of square corners in round shapes and makes this square-circle tension its underlying structure.

Marcia: text with the spirit of lettering

Victoria Rushton’s stylish, exuberant, contradictory typeface “is based on nothing, nothing at all,” she says.

Miller Text expansion

Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. All Text and Display weights include small caps, italics, and italic small caps

Tilda. A script typeface by Jessica Hische

Tilda, a script typeface with size-specific styles and extensive OpenType layout features. Tilda Petite is optimized for smaller settings, while the details and proportions of Tilda Grande shine at large sizes.

Lettering is not type

Stephen Coles offers clear definitions for commonly abused terms and elaborates on the differences between type and lettering, a typographer and a type designer, and a typeface and a font.

Big Caslon

An expansion of Matthew Carter’s classic display serif into a three-weight family with striking italics and a host of flavorful features. Big Caslon Brochure

Input in use for the Feltron Annual Report

“It’s definitely the typeface I was searching for”: Nicholas Felton found Input to be the perfect choice for a hard-hitting presentation of raw data.

Input: fonts for code

Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for rich code formatting.

Mike Parker tribute

A tribute to Mike Parker, whom Matthew Carter calls “a most unforgettable person.” ➝ Fontbureau.com/MikeParker

Big Moore

Matthew Carter restores the authenticity of Isaac Moore’s 18th-century display face, in a design meant to be used, well, Big.

Turnip: ready for harvest

Rustic but not unrefined, David Jonathan Ross’s Turnip can be planted in any ground, and still come up hardy, tasty, and readable.