The beginning of the holiday season reminds us of how lucky we are to do the work we love with people we love. And that cranberries are awesome.
Originally released as a modest yet elegant workhorse serif face in 1994, Richard Lipton’s Meno expands into a sprawling, glamorous type system in three optical sizes.
Yves Peters brings his popular ScreenFonts series of movie poster reviews live to the stage at Adobe MAX on Thursday afternoon, November 3.
Mad about type? Down for a challenge? Have we got a game for you! Enter the #TNonTkM Type ID Contest for a chance to win fabulous typographic prizes and the respect of your type-lovin’ peers.
Newly launched initiative the right fit for our foundry partners and for type users.
Decorative letters may have piqued my interest in designing type, but text is what keeps me here.
Inspired by vernacular lettering and the art found everywhere, the Type-Ø-Tones are known for their eclectic typographic explorations, and their gift for turning collaboration into an art form all its own.
The London-based designer, known for his identity work crafted for major international brands, finds a new home for his versatile typefaces at Type Network.
The second half of Day 2 made one thing abundantly clear: the new business track is a vital addition to the ATypI program, and needs to be held in bigger rooms to accommodate demand.
Inventor aspirations, technology from Japan, ocean exploration—for CJ Dunn, it all leads to typeface design.
Font Bureau founder David Berlow, a pioneer from the early days of digital type, thinks we’re finally ready to embrace the power of variations.