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ScreenFonts: April 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: April 2018

This episode features posters for Gemini, Hondros, Pacific Rim: Uprising, The Death of Stalin, Red Sparrow, Flower, Thoroughbreds, and Unsane, with some interesting interactions between the characters (the type) and the characters (the people.)

Tilda’s enchanted travels through Oregon

Jessica Hische’s chic, graceful script punctuates a whimsical new video promoting tourism in the Beaver State.

Inside the fonts: Antenna and Antenna Serif Stylistic Sets

Cyrus Highsmith’s design took a little detour during its conception. Then it blossomed into a powerful pair of coordinated sans- and slab-serif families.

ScreenFonts: March 2018 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

ScreenFonts: March 2018

A supernatural beginning and a downright weird ending: this episode looks at posters for Black Hollow Cage, Nostalgia, The Female Brain, Driving While Black, Game Night, Mute, Rehepapp (November), and Are We Not Cats.

The Gospel of Eureka and Counterpart win Film Design Awards at South by Southwest

From the Lone Star State, Yves Peters reports on the winners of the awards for Excellence in Poster Design and Excellence in Title Design at the 2018 SXSW Film Festival.

Here’s to the future!

Occupant Fonts teams up with Morisawa Inc.

Sloop Script sails the Seven Seas

Richard Lipton’s graceful script has learned many languages—and a few new tricks, too.

ScreenFonts: February 2018

Murder and mayhem, and some interpersonal tension: this episode looks at posters for The Strange Ones, Proud Mary, The Commuter, Small Town Crime, Inside, Dim the Fluorescents, The Neighbor, and A Ciambra.

Sir David Attenborough narrates New Atten and New Atten Round

Two new type families from Miles Newlyn channel the BBC broadcaster’s plummy tones.

Magín Díaz and Father John Misty share a Grammy for Best Recording Package

Art director and musician Yves Peters casts an eye over the nominees and winners in the design categories at the Recording Academy’s sixtieth annual awards.