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A new era in bitmap type

TYPETR delivers Bitcount, putting pixels to work in a programmatic type system designed for both serious and playful exploration.

ScreenFonts: June 2017

Poster galleries galore: the June episode of ScreenFonts looks at posters for LA 92, Restless Creature: Wendy Whelan, Sleight, Burden, Violet, Hounds of Love, A Dark Song, The Void, Free Fire, and Berlin Syndrome.

Retype joins Type Network

Our new foundry partner launches with a stunning set of designs, including an exclusive new release, Guyot Headline, the first of Espinoza’s types inspired by the sixteenth-century French punchcutter.

Input travels to the past

The time-travel drama Travelers prominently features David Jonathan Ross’ Input Sans.

One year of Type Network

Time really does fly when you’re having fun.

ScreenFonts: May 2017 | The Leftovers

These posters didn’t make the cut, but are still noteworthy for their design and/or typography.

An interview with Victoria Rushton

Victoria Rushton spoke about the process of designing her new script face, Gautreaux, at Typographics last year. Afterward, in an email exchange with Stephen Coles, she opened up about a variety of topics: public speaking, education,…

Connecting with Gautreaux

Introduced by Victoria Rushton at Typographics 2016, Gautreaux is a new script typeface that achieves complexity through masterful simplicity.

The name Gautreaux

With her new script face Gautreaux, Victoria Rushton brings the initial ‘G’ out of hiding.

ScreenFonts: May 2017

A flurry of painted art: the May episode of ScreenFonts looks at posters for Headshot, Umi Yori Mo Mada Fukaku (After The Storm), Donald Cried, Personal Shopper, God Knows Where I Am, The Blackcoat’s Daughter, Grave (Raw), Before I Fall,

TYPO Labs: variable fonts and beyond

Yes, TYPO Labs 2017 tackled more than just variable fonts—but the new technology maintained a constant presence in the background.

Monokrom blows in from the North

The cool Norwegian foundry brings its chill fonts to Type Network.